Hamdi Nawar was born on 4 September 1967 and belonged to Egypt at birth and nationality.
And one of the most important plays is play. « Under control.» — Submitted early in 2008.
So do I.« Not in hope.» — Presented 2010.
This is a few of his theatrical record according to available sources, which indicates that his career has not known many acts published or widely known, at least in publicly available records.
Attempts to present other work: play «Neron.»
Noar wrote a theater text entitled «Neron.» The text was presented to the presentation through the official bodies, where it was submitted to the stage art house (or national theatre).
Although approved by a technical committee (revised and amended on the basis of observations) — According to Noar's statements. — The director then assigned refused to present the offer.
The then Minister of Culture, Inas Abduldayem, appealed to Nawar (in 2020) to activate the decision to approve the offer, but did not receive a decisive response.
This example reflects some of the challenges he faced. — It is still often confronted with it, and theatre authors face the production and approval of the official.
His position in the cultural scene.
Through his attempts to present «Neron.» In other words, as a case of a theatrical author, it was difficult for the text to go out to the stage, even if the text obtained the approval of a technical committee, reflecting institutional difficulties, bureaucracy and perhaps some concerns of the theatre decision makers.
In a dialogue with him: «Neron.» He described this as... «Victim of obsession.» From some officials, considering it hurts the theatre and hinders written business out.
This makes a light model for an independent or semi-autonomous theatrical author, trying to present his vision and finding it difficult to get his business out.
The records available to the public on Hamdi Nawar are very small: information refers only to his name, date of birth and the plays (2008 and 2010).
How do we look at Hamdi Nawar?
Hamdi Nawar is an example of a theatrical character, a text creative, working from within the Egyptian experience, who wrote at least two plays that were offered, and also tried to present a historic work (Neron), but faced productive difficulties. This march (No matter how many works) illustrates the challenge of writing the play in Egypt: not only writing the text, but turning it into a live show.
This is a few of his theatrical record according to available sources, which indicates that his career has not known many acts published or widely known, at least in publicly available records.
Noar expressed displeasure about the administrative and technical situation in some stage institutions, and considered that «Mental.» As described, the stage is ruined and the production of local texts is impeded.
This reflects a broader problem in the process of staged production in Egypt: bureaucracy, lack of administrative commitment, pressure or hesitation from decision makers, even if the text is «Accepted.»I'm sorry.
Dr. Nasser Hussein
