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Culture

The arrows of the arse write, "A man of sunset." A deep hair experiment that turns pain into beauty and exile into a poem.

Under the auspices of A.A. Abdelhady, the great thinker is the captain of the Union of the Book of Egypt and the Secretary-General of the Arab Book and Literature Union.
On Saturday, 13 June, at 6 p.m., a colloquium on the beauty of poetry in the sister State of Iraq and discussion of a Diwan. A man of sunset for the Iraqi poet.
علي الشلاه..نموذجا للترابط الثقافي والتكامل الإبداعي بين الشعر العراقي و الذائقة الأدبية المصرية وسط كوكبة من أدباء مصر والعرب في لجنة العلاقات الدولية التي يرأسها عالم اللغة الكبير الدكتور بسيم عبد العظيم
And through my knowledge of this highly privileged religion, I present a reader's vision.
……..
The Iraqi poet Ali al-Shalla ' s office is a rich poetry experiment, combining human depth with the national dimension and philosophical vision, where the poet succeeds in building an integrated poetry world in which questions of home, exile, identity and existence overlap within a high-density language with evidence and connotations.
Since the title, the poet has placed us in front of a vast symbolic space; the sun does not come as an end or opola; it turns into a moment of reflection, detection and self-revision, an area where memory is adjacent to the dream, pain with hope and absence as a fresh start.
The texts of the voodoo have a high sense of humanity, with the home stretching beyond the limits of the place to a state of conscience and existence, while exile is present as a spiritual experience reflecting contemporary alienation and open questions. In a number of poems, women are symbols of life, beauty and salvation, in a technical intersection between private and public, and between self and collective.
Diwan is characterized by intensive poetry and innovative images based on the symbol and inconsistency with history, heritage and legend, which give the texts many dimensions of beauty and intellectuality, make them readable and renewable, and reveals a poet with a broad cultural vision and a remarkable ability to transform humanitarian experience into a lifelong poet.
A man who is prone to sunset is not just a religion of hair, but a creative testimony to the ability of poets to resist absence, to turn pain into beauty energy, to exile into poem, and to human scarcity into an open text of hope and meaning, which gives this experience its privacy and place in contemporary Arab poetry.

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